Friday, March 4, 2011

Thursday, March 3, 2011

#30: A Music Video

Click here. This is "When You Come Back Down" by Nickel Creek.

#29: A Photograph























This is "Silverado Magic" by Mars Lasar.

#28: Concerto

This is "Piano Concerto in A Minor" by Edvard Grieg as performed by Arthur Rubinstein.

#27: Song

This is "Afterglow" by INXS Featuring Sona.

#26: a Painting












This is "The Ten Lepers" by James Christensen.

Click here for a bigger version.

#25: A Poem

The Colonel
by Carolyn Forche

What you have heard is true. I was in his house.
His wife carried a tray of coffee and sugar. His
daughter filed her nails, his son went out for the
night. There were daily papers, pet dogs, a pistol
on the cushion beside him. The moon swung bare on
its black cord over the house. On the television
was a cop show. It was in English. Broken bottles
were embedded in the walls around the house to
scoop the kneecaps from a man's legs or cut his
hands to lace. On the windows there were gratings
like those in liquor stores. We had dinner, rack of
lamb, good wine, a gold bell was on the table for
calling the maid. The maid brought green mangoes,
salt, a type of bread. I was asked how I enjoyed
the country. There was a brief commercial in
Spanish. His wife took everything away. There was
some talk of how difficult it had become to govern.
The parrot said hello on the terrace. The colonel
told it to shut up, and pushed himself from the
table. My friend said to me with his eyes: say
nothing. The colonel returned with a sack used to
bring groceries home. He spilled many human ears on
the table. They were like dried peach halves. There
is no other way to say this. He took one of them in
his hands, shook it in our faces, dropped it into a
water glass. It came alive there. I am tired of
fooling around he said. As for the rights of anyone,
tell your people they can go fuck themselves. He
swept the ears to the floor with his arm and held
the last of his wine in the air. Something for your
poetry, no? he said. Some of the ears on the floor
caught this scrap of his voice. Some of the ears on
the floor were pressed to the ground.

May 1978

#24: A Painting

This is "Autumn Cannibalism" by Salvador Dali.

#23: A Children's Chorus

 
This is a cover of Tori Amos' "1000 Oceans" By Brooklyn's PS22 Chorus.

#22: A Muisical TV Short

This is "My Name is You" from Sesame Street.

Wednesday, March 2, 2011

#21: Music Video

This is "Her Morning Elegance" by Oren Lavie.

#20: Painting

This is "Lament for Icarus" by Herbert Draper.

#19: Website

Click Here. This is 35 Different Ways to Lace Shoes by Ian Fieggen.

#18: Fiction

The Egg
By: Andy Weir

You were on your way home when you died.
It was a car accident. Nothing particularly remarkable, but fatal nonetheless. You left behind a wife and two children. It was a painless death. The EMTs tried their best to save you, but to no avail. Your body was so utterly shattered you were better off, trust me.
And that’s when you met me.
“What… what happened?” You asked. “Where am I?”
“You died,” I said, matter-of-factly. No point in mincing words.
“There was a… a truck and it was skidding…”
“Yup,” I said.
“I… I died?”
“Yup. But don’t feel bad about it. Everyone dies,” I said.
You looked around. There was nothingness. Just you and me. “What is this place?” You asked. “Is this the afterlife?”
“More or less,” I said.
“Are you god?” You asked.
“Yup,” I replied. “I’m God.”
“My kids… my wife,” you said.
“What about them?”
“Will they be all right?”
“That’s what I like to see,” I said. “You just died and your main concern is for your family. That’s good stuff right there.”
You looked at me with fascination. To you, I didn’t look like God. I just looked like some man. Or possibly a woman. Some vague authority figure, maybe. More of a grammar school teacher than the almighty.
“Don’t worry,” I said. “They’ll be fine. Your kids will remember you as perfect in every way. They didn’t have time to grow contempt for you. Your wife will cry on the outside, but will be secretly relieved. To be fair, your marriage was falling apart. If it’s any consolation, she’ll feel very guilty for feeling relieved.”
“Oh,” you said. “So what happens now? Do I go to heaven or hell or something?”
“Neither,” I said. “You’ll be reincarnated.”
“Ah,” you said. “So the Hindus were right,”
“All religions are right in their own way,” I said. “Walk with me.”
You followed along as we strode through the void. “Where are we going?”
“Nowhere in particular,” I said. “It’s just nice to walk while we talk.”
“So what’s the point, then?” You asked. “When I get reborn, I’ll just be a blank slate, right? A baby. So all my experiences and everything I did in this life won’t matter.”
“Not so!” I said. “You have within you all the knowledge and experiences of all your past lives. You just don’t remember them right now.”
I stopped walking and took you by the shoulders. “Your soul is more magnificent, beautiful, and gigantic than you can possibly imagine. A human mind can only contain a tiny fraction of what you are. It’s like sticking your finger in a glass of water to see if it’s hot or cold. You put a tiny part of yourself into the vessel, and when you bring it back out, you’ve gained all the experiences it had.
“You’ve been in a human for the last 48 years, so you haven’t stretched out yet and felt the rest of your immense consciousness. If we hung out here for long enough, you’d start remembering everything. But there’s no point to doing that between each life.”
“How many times have I been reincarnated, then?”
“Oh lots. Lots and lots. An in to lots of different lives.” I said. “This time around, you’ll be a Chinese peasant girl in 540 AD.”
“Wait, what?” You stammered. “You’re sending me back in time?”
“Well, I guess technically. Time, as you know it, only exists in your universe. Things are different where I come from.”
“Where you come from?” You said.
“Oh sure,” I explained “I come from somewhere. Somewhere else. And there are others like me. I know you’ll want to know what it’s like there, but honestly you wouldn’t understand.”
“Oh,” you said, a little let down. “But wait. If I get reincarnated to other places in time, I could have interacted with myself at some point.”
“Sure. Happens all the time. And with both lives only aware of their own lifespan you don’t even know it’s happening.”
“So what’s the point of it all?”
“Seriously?” I asked. “Seriously? You’re asking me for the meaning of life? Isn’t that a little stereotypical?”
“Well it’s a reasonable question,” you persisted.
I looked you in the eye. “The meaning of life, the reason I made this whole universe, is for you to mature.”
“You mean mankind? You want us to mature?”
“No, just you. I made this whole universe for you. With each new life you grow and mature and become a larger and greater intellect.”
“Just me? What about everyone else?”
“There is no one else,” I said. “In this universe, there’s just you and me.”
You stared blankly at me. “But all the people on earth…”
“All you. Different incarnations of you.”
“Wait. I’m everyone!?”
“Now you’re getting it,” I said, with a congratulatory slap on the back.
“I’m every human being who ever lived?”
“Or who will ever live, yes.”
“I’m Abraham Lincoln?”
“And you’re John Wilkes Booth, too,” I added.
“I’m Hitler?” You said, appalled.
“And you’re the millions he killed.”
“I’m Jesus?”
“And you’re everyone who followed him.”
You fell silent.
“Every time you victimized someone,” I said, “you were victimizing yourself. Every act of kindness you’ve done, you’ve done to yourself. Every happy and sad moment ever experienced by any human was, or will be, experienced by you.”
You thought for a long time.
“Why?” You asked me. “Why do all this?”
“Because someday, you will become like me. Because that’s what you are. You’re one of my kind. You’re my child.”
“Whoa,” you said, incredulous. “You mean I’m a god?”
“No. Not yet. You’re a fetus. You’re still growing. Once you’ve lived every human life throughout all time, you will have grown enough to be born.”
“So the whole universe,” you said, “it’s just…”
“An egg.” I answered. “Now it’s time for you to move on to your next life.”
And I sent you on your way.

#17: Photograph

#16: Photograph

Again, couldn't find a source on this one.

#15: Tragic True Story

Click Here. This is the story of Christine Chubbuck from Wikipedia.org.

#14: Paintings and Song

Paintings by Vincent Van Gogh. This is "Vincent" by Don McClean.

#13: Participatory Blog

Click here. This is onethousand6 by Ryan Hale.

#12: Photograph

I couldn't find a source for this one.

#11: Vocabulary Game/Charitable Organization

Click here. This is freerice.com.

#10: Song

This is "Flight 180" by Bishop Allen

#9: 2 Short Films

This is the "Where the Hell is Matt" series by Matt Harding.

#8: Poem

Invocation
by Robin Morgan
for Isel Rivero
Gunmen attacked a school in northwestern Rwanda last Monday, killing seventeen girls.... The Attack took place after the Hutu gunmen ordered the girls to separate into groups of ethnic Hutu or Tutsi, and the students refused to comply.
--From The New York Times, April 30, 1997

Insane, sadistic gods to whom I offer
only my denial and disgust,
how do we bear witness to each other
when such defiance gleams beyond our trust?

They stupify us, these small, nameless girls
in whose name Love linked arms with her best friend.
Courage skulks shamed before these little skulls
rotting on the grassy school playground.

Let me be worthy of such children, slain
where they stand, who in the face of dying, cling.
Let me be equal to my small, sufficient pain
and in the broken teeth of horror, sing.

#7: Nature Video

This is "the vampire squid from hell" from BBC's Planet Earth series.

#6: Photography Compilation

Click here. This is "30 Incredible Examples of Urban Decay Photography" compiled by Henry Jones.

#5: Short Film

This is "Validation" by Kurt Kuenne.

#4: Puppet Show

This is a cover of Queen's "Bohemian Rhapsody" by The Muppets.

#3: Photo Project

This is "Back to the Future" by Irina Werning.
Click Here.

#2: short film

This is "Words" by Everynone.

#1: Music Video

This is "Blood" by The Middle East.